I am a massage therapist and found this book very useful as a study aid for the national certification test for massage and bodywork. This book makes locating anatomical landmarks much easier. I also used the following which is on amazon:
The Ultimate Study Guide for the National Certification Examination for Therapeutic Massage and Bodywork: Key Review Questions and Answers
Vol 1 (ISBN: 0971999643), Vol 2 (ISBN: 0971999651), Vol 3 (ISBN: 097199966X)
These four books helped me pass the National Certification Test. The last three book were so on target with the type of questions asked on test.

...This is one of the best books on Anatomy that I have ever seen, from a massage therapy perspective, definately a keeper!...

As an Instructors Assistant and an Advanced Practitioner of Therapeutic Massage, I've found this book a VERY useful reference and a compliment to class room and on site education.
The latest eddition has more color graphics, which is a welcome change from the drab 1st edition. (but either is sufficient)
I'm teaching a class in Therapeutic Massage myself, this comming semester, and am sure I'll recommend it to the students, and keep mine handy in class.
The details on how to locate and palpate the muscles are great!

I am an experience MBA, and I was skeptical about another venture into exploring my own creativity.

It turns out Lynne Levesque's book Breakthrough Creativity was definitely a breakthrough in my perceptions. Creativity is not just for artists and advertising. I never really saw my engineering and project management work as "creative," but Levesque's book helped me recognize how confined one's perspective can be. I always sought creativity through sailing or sports. I didn't appreciate how it can play a role in everything I do.

This fresh outlook that we are all creative, with individually different creative talents, was a simple but important revelation. It was interesting to discover how much we limit our own creative endeavors. Levesque's metaphors analyzing creativity are imaginative and instructive, and her recommendations were very practical. Her recommendations are clearly grounded on her own business experience.

Levesque links creativity with resilience and a sense of possibility, a very powerful concept in today's troubled world.

I highly recommend reading this breakthrough book.

Lynne's model of the 8 Talents of creative expression is a wonderful resource for creative individuals and innovative companies. Using the MBTI type criteria, she clearly describes each type in terms of creative strengths and weaknesses with helpful resolutions for collaboration. This book is a real breakthrough in the field of creativity. I highly recommend it to everyone!

In Breakthrough Creativity, Levesque opens the reader's eyes to the individual talents that he or she possesses. Learning about your orientation to the world, how you process and analyze infomation, and how, exactly, you are creative is the first step in taking advantage of your innate talents.

Levesque reveals that you DO have creative talents, and she guides you through a series of steps to learn about what those talents are, and how you can implement a game plan to improve upon those talents.

This book is great for anyone who wants to learn how to improve upon themselves. It is also the perfect tool to learn about how to interact with friends, family and co-workers who have different creative talents.

By reading the book, I have become empowered to capitalize upon my strengths. More importantly, I am learning how to overcome barriers and explore how I must adjust my behavior to be fully creative. In addition, I have used it to learn about how well I know people who are close to me, and how to revise my attitude and have a higher level of respect toward people who have very different talents than me.

This book is eye-opening and refreshing. I give it the highest recommendation!

In this age of ethical confusion detached from traditional sources of guidance Mike's delightful compendium of observations is refreshing indeed. This slender volume poses and answers disarmingly simple questions that often lead to exquisitely delicious reflections on morals and mores.

You'll love it if you love golf or life.

Mike Smith's book is packed with tips that are very helpful both on the golf course and at the office. As a re-emerging golfer, I found it helpful for my golf game and etiquette, and it has given me useful insight into running my business.

If you're an entrepreneur who likes to play golf or if you think playing golf could be a good business networking opportunity for you, you'll enjoy reading "Business-To-Business Golf: How To Swing Your Way To Business Success" by Michael Smith.

Smith divides his book into eighteen chapters, one for each hole of golf. Smith begins by posing a question about business-golf etiquette, answers it, and then discusses solid business ideas based upon his experience in the financial services industry and as an entrepreneur in the field of manufacturing.

On the 6th hole, Smith gives us this scenario: "... You're on the green putting for a birdie from about twenty-five feet away. Your guest is standing quite close to you and does not seem to realize how much it is bothering your concentration. You wish to communicate using one of the following:"

Smith gives three possible golf-etiquette answers:

"A. Wave your arm at your guest to have him or her move a little and say nothing.

B. In a pleasant way, ask your guest to move away since it is bothering you.

C. Don't rock the boat since this is an important client and you do not want to miss any sale opportunities. Go ahead and putt."

What? Whack the guest on the shin with your putter is not an option? Smith says the correct answer is B because it shows diplomacy and shows you're willing to confront problems without hesitation. Smith says C is the worst choice because it may indicate a personal weakness your guest is trying to probe--a lack of assertion which might well lead you to hide problems from the client.

On the 8th hole, Smith poses the question: "...Your second shot finds you just off the fairway in the rough. While addressing the ball, you inadvertently touch the ball with your club and the ball moves from its original position about an inch or so. You know full well that the golf rules mandate a one stroke penalty."

What do you do? Smith gives these choices:

"A. Do not worry about it since your guest was on the opposite side of the fairway and could not have possibly noticed.

B. Your intention is to say something but wait until later in the round.

C. You immediately add the penalty to your score and hit the ball. You advise your guest right away of your score."

The birdie (correct answer) is C. However, since the film "The Legend of Bagger Vance," I question people who call strokes against themselves for just touching the ball. Are they really just being honest or are they sacrificing an insignificant golf stroke to impress me with their Matt Damon honesty?

So, maybe, if you are playing the skeptical, untrusting sort, it's better to ignore the minor touch. Or, if you feel it's really a question of ethics, take a huge swing and run it over the top of the ball! Personally, I feel that the rules of golf should be changed to exclude any stroke, excluding putts, which moves the ball less than about five feet!

Many of the golf-etiquette lessons are pretty basic, but some are also more advanced and could really help you in a business-golf situation. For example, I didn't know that the rules of golf disallow a person to search for a ball for more than five minutes.

While half of "Business-To-Business Golf: How To Swing Your Way To Business Success" is devoted to golf etiquette, the other half is devoted to business lessons entrepreneurs will find useful.

For example, Smith tells us about the 80/20 principle which says that for many businesses only 20% of all customers account for 80% of the company's sales. Smith compares business measurements to golf scores. How can you know how well your company is doing if you don't keep proper score?

Smith writes: "Do you list your most important statistics? Can you readily assess your key costs? How are your sales listed--by type of units or services, volume or profitability? Who are your most profitable customers? Why do they place their business with you? Are there others that you can add to your list of key customers? Do you know what your tip customers represent in overall sales to your business?"

Smith suggests listing your top 20% of customers by both gross sales and profitability and then looking for similarities between these customers so that you'll have more insight into finding profitable customers.

"Business-To-Business Golf" also contains a short glossary of golf terms (bogey is one over par, birdie is one under par) and a short list of some basic golf rules which people new to golf can use.

Overall, if you enjoy golf (or, are just learning to play it) and you enjoy reading about business, you'll probably enjoy Business-To-Business Golf.

Peter Hupalo, Author of "Thinking Like An Entrepreneur."

This book is similar to the Art of Monsters Inc. However, this time you get more than just images but you also get small introductions and quotes from the artists/animators. The book starts off with an introduction from John Lasseter and Andrew Staton, both Disney veteran animator and Pixar founder. Then the book goes off with a frenzy of incredible concept art, drawings, sketches, character sketches, color definition, and storyboard. It is amazing of how much effort they put into the film. Prepare and be dazzled with Ralph Eggleston's pastel storyboards (director of FOR THE BIRDS)! You also get a full throttle of hilarious character sketches by such famous modern illustrators - Peter DeSeve, John Sohn, etc. Pages of incredible studies on sea life and color concept for the film.

This book is a perfect inspiration for any animator or film/animation student.

Beautiful work!

If you are an animator or cartoon designer who wants to know what is going on. Or if you just love beautiful work that is fun and aspiring then this is the book for you!!
There are a ton of styles that are very fun with an array of different media.

Pixar has the absolute best creativity in the character designs!! Truly awesome book!

This book is a gem. Reading it, you get an appreciation for all the WORK that was put into this excellent film! The amount of effort these people exerted to create the characters, backgrounds, computer-generated "water," and every other aspect of the movie, is incredible. Flipping through these pages, you really get a feel for that.

The pictures are beautiful and make you realize things you don't think about while watching the movie. You don't realize that the story wasn't always going to play out the same way. You don't realize that the characters may have looked different had the animators chosen to go in another direction. Looking at these early sketches, step by step pastel drawings, and much more, you see what it's really like to make one of these fantastic films.

The quotes throughout are humorous and enlightening. (I particularly like the descriptions of the sharks and the fishtank.) They even reveal a secret I didn't catch after seeing the movie twice; the man in the dentist's office with the skull on his shirt is supposed to be a grown-up Sid from "Toy Story!" That kid needed a trip to the dentist! Overall, "The Art of Finding Nemo" is an unbeatable coffee table book.

I absolutely adore this book. I was cooking for my harassed little brother (single father of three) during a visit and he was exhausted all the time from work and kids. This book now makes his life so much easier and much more relaxed (at least every time he makes dinner)! Chef Schloss is the BEST!

With probably 400 or so cookbooks in my collection, how could there be room or reason for another one? This is one of my all-time favorites! And one of the reasons has not been mentioned by any of the previous reviewers: Simple ways to use the contents of all of the jars and bottles on the refrigerator door!! The recipes are so simple and delicious. I have given it to friends and family members over and over. Thank you Andrew Schloss. Please reprint this book!!

A nice book for anyone who likes elegant food. The recipes are very easy, use good ingredients and the results are amazingly fancy.. A nice book to give as a gift...busy working women would love this book for entertaining. Easily adaptable to low fat or low calorie.

David Kaplan and Andrew Marshall obviously have an amazing amount of knowledge to share when it comes to the underworlds of Japan. In this book, they do an outstanding job of telling the true story of AUM. Whether you like fiction or non-fiction, you will be capitivated by the story of this Doomsday cult. I give it 5 stars on a 5-star scale.

Kaplan's book about the Yakuza was very well written, but this book was an eye-opener. It was among the scariest tales I've ever read, and it featured lurid stories about Master Asahara's cult apparatus. This is a story every public security official should read, one about a ruthless group of religious fanatics who went the whole nine yards in their attempt to murder 90% of the Japanese peole so as to launch a holy war between Japan and the United States, and to bring about the end of the world. The accounts of the physical and mental abuse to recruits may stun even the most seasoned reader. It reminded me of the Holocaust. But most important is Kaplan and Marshall's exposure of Japanese society, which many of us view as a utopia. In this book and in "Yakuza", we see Japan as it really is, enslaved by corruption, hiding abject poverty, and losing many of its children to fanatics like Chizuo Matsumoto.

Like all of the other people who read this book, I had to keep on reminding myself that it was real and a lot of people did actually have these thoughts and intentions. The thing that really got me was how recent it all was, I'm 17 and I'm so used to everything like that being ages ago - world war 2 for example. After I had read the book I realised that it was only written in 1996 so I searched to find some recent news on them only to find that Shoko Asahara's trial is still going, the cult have relaunched themselves and they even have their own website. They managed to do all what they did 10 years ago, technology has moved on a lot since then and I dread to think what they are capable of now. If you do buy this book, I would recommend you read the last few pages carefully, its like reading the terrorist forecast of New York, very scary and yet very true.

I would in fact prefer to award this 3.5 stars, but the Amazon system seems to compel one to choose between 3 and 4, and I think 4 is too generous. To begin with the text, there is no doubt that this is not the best Shakespeare to buy. It is to a large extent based on the Oxford Shakespeare, which - quite rightly, in my view - has attracted a lot of criticism for some of its peculiarities. Thus, for example, Oxford prints TWO versions of *King Lear*, the quarto text and that of the folio. Norton rightly takes issue with this, and produces the kind of conflated text that most readers would want, but adds the other two AS WELL (so we are offered THREE versions!). This kind of thing is, in truth, academic self-indulgence - it shows an undue respect for academic concerns which to most readers are not of the slightest interest. There is a similar tendency to pay scant regard to what most readers really want and need in the Introduction: that tells us a good deal about Shakespeare's time, and the material is interesting, but it is not often shown to be relevant, or necessary, to an understanding of what Shakespeare writes. The explanatory annotation accompanying the texts is not bad, but often inferior to that of comparable editions, notably Bevington's. The introductions to individual plays are usually stimulating, but not necessarily convincing. Thus Greenblatt on the one hand says about Macbeth's murder of Duncan, "That he does so without adequate motivation, that he murders a man toward whom he should be grateful and protective, deepens the mystery ..." (p. 2558), yet adds a few lines later: "Macbeth and Lady Macbeth act on ambition ...". Precisely, that IS Macbeth's motivation for the murder, as Macbeth himself points out unequivocally in 1.7.25-7 - there is, therefore, absolutely nothing mysterious about his motivation. The edition does, however, offer a number of good references to other writings about Shakespeare. All in all, I do consider 3.5 stars is a fair "grade", in seeking to assess this for the benefit of the majority of readers looking for a complete Shakespeare to buy; but I consider David Bevington's by far the best edition of the complete works, then the Riverside, and only then this one - though, with its annotations, it is certainly more useful than the Oxford edition on which it is based. - Joost Daalder, Professor of English, Flinders University, South Australia

I confess that after examining 5-6 of the top-selling complete Shakespeares I tried not to like the Norton. There are less expensive editions, there are editions with glossy pages and colored photographs, there are editions that are half the weight and bulk of this leviathan, which is far more Shakespeare than the average reader--perhaps, even scholar, for that matter--would ever require. But despite its bulk and unwieldyness, its 3500 (!) thin, flimsy pages, its sheer excess, I couldn't ignore its advantages. The small print enables the publishers to squeeze in contextual materials--in the introduction and appendixes--that in themselves amount to an encyclopedic companion to Shakespeare's works; the introductions to the plays are written not in "textbook prose" but in an engaging style worthy of their subject; and perhaps, best of all, this is the only edition that places the glosses right alongside the "strange" Elizabethan word instead of in the footnotes. You can read the plays without experiencing vertigo of the eye. So this is the edition, though you may wish to go with the smaller, bound portions that Norton publishes of the same edition--especially if you can't afford the cost of a personal valet to carry this tome from home to office. On the other hand, the complete edition is excellent for doing crunches and other aerobic exercises--activities many of us who read the Bard are abt to ignore.

As a fervent admirer of Shakespeare, this complete collection, comprising excellent introductions to each play and helpful textual notes as well as informative writings on the history of both England and the art of acting that shaped Shakespeare's writing, was like a dream come true. While before I had to walk around trying to find a good edition of the play I wanted to read, now I can open the Norton Shakespeare and read without being afraid of not understanding words or missing the point of the play. This book's obvious drawbacks are its heft and, as mentioned, its delicate pages, but these are easily outweighed by the abovementioned advantages! Buy it and read!

While this book came out before the ISO C++ (99) standard was finalized it still has a lot of relevant material in it. It is clearly presented, and the underlying design choices are explained and expanded on.

A word of caution, the topic on Smart pointers is interesting, but don't just copy it out, get a tested version from the C++ library "boost". Its like the string class every text seems to use, copy it, use it to learn from but don't use it in an actual project. You'll just have to go through the debugging process that everyone else has already done.

This book focuses on C++ Design and that is a hard subject to teach well. The mechanics of the language are much easier to master, the putting it all together in the correct way is what this book focuses on.

I'd also like to say that I think this book is better written than any of the C++Report articles that A.Koening wrote. My guess is that the review process is more stringent and he and B. Moo had more time to work the text over. In any case it is one of the easier to understand and read intermediate level C++ books.

Nestled between 'learn in 24 hour' books, uml tomes, and vc references is a smallish, silly looking book called Ruminations on C++. At first glance you may be nervous as you find cows on the cover, but this gem is one of the best programming books I've every enjoyed. This book is targeted to the intermediate C++ programmer who has mastered syntax and basic idioms, and wants to move beyond into more complex uses. The book introduces (some may say, pounds) the concept of smart pointers, containers and iterators, templates, and function adapters in a ah-ha! enlightening kind of way. Once you understand these concepts and start employing them in your programs, you'll wonder how you could have ever written programs without them. Some readers may be bothered by the fact that the chapters are 'regurgitations' of previous articles the writer had written, but I would highly recommend that you pick this up. The treatment on the SmartPointer alone is worth the price. Buy it now!!

The book lives up to it's title. It is a must-have for any C++ programmer who claims to be an expert. The insights offerred in this book are the kind that are truly gained only after a decade of programming. If you have fallen in love with C++, this book will consummate your love.

this is shakespeare's most accessible comedy. it's a farce about mistaken identities among identical twins. nothing complicated here. the play has it's funny moments. it's not the bard's best comedy; that's 'much ado about nothing', imho. but this is not a bad place to start.

"Methinks you are my glass, and not my brother."
So says Dromio of Ephesus, one of the members of two sets of estranged twins whose lives become comically intertwined in this delightful, ingenious, & aptly named Comedy of Errors. Being an avid Shakespeare fan and reader, I unequivocally consider The Comdey of Errors to be Shakespeare's finest and funniest comedy. Antipholus of Syracuse and his long lost twin Antipholus of Ephesus along with the two twin servants Dromio of Ephesus and Syracuse become unceasingly mistaken for each other making for a hilarious and entertaining farce of a play.

The Comedy of Errors has been copied many times since in literature, movies, & sitcoms, although it has never been duplicated.

There is no doubt that this comedy of Shakespeare's is delightful, crazy fun. You could call it the father (or mother) of all sit-coms. The play is suitable for middle school production and viewing, with some modifications. For my students and myself I prefer the Folger's edition of Shakespeare's plays for three reasons. First, the footnotes are easy to read and across from the text. 2. The choice of illustrations and 3. The introductory information. When purchasing for my students, though I have tried other publishers, I now always choose Folgers.

Most of the quips are on the mark and quite a few are very funny! Helps to keep things in a light perspective in these days of "here today, gone tomorrow" ! Found the Feb 25 one very relevent to that.

Why not five stars ? I feel guilty wasting so much paper. Wish I had an online version inbuilt in MS Outlook. MS and Scott Adams - now that is some combination!

If you work in a "cube" and work for corporate America, you can't help but appreciate Dilbert and his co-horts. While the comedy can be cynical, I think it's very funny...mostly because much of what is in the comic strip is true.

The 2002 Dilbert Day-To-Day Calendar is a must buy comic calendar! The comics include all of your favorite Dilbert characters like Wally, Alice, the Boss, and Dilbert, just to name a few. Every comic is full of uproarious humor. You'll love it. I guarantee!